English Language Arts
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  • Public Speaking
    • Unit 1: Memorization and Recitation
    • Unit 2: Political Speeches
    • Unit 3: Expert Speeches
    • Unit 4: Personal Storytelling
    • Public Speaking Syllabus
  • About the Author

Unit 1: Memorization and Recitation

Activity 1: Introduction to Public Speaking

Read the following article, watch the videos, and create a 1-pager.
​Your 1-pager should contain:
an illustration
3 ideas from each video
3 most important quotes from the article
3 questions (or concerns) you have
introductory_article__1_.pdf
File Size: 436 kb
File Type: pdf
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Activity 2: Comparing and Analyzing Performance

Text of poem: ​https://poets.org/poem/bells

versions_of_the_bells.docx.pdf
File Size: 46 kb
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cr_listening.pdf
File Size: 359 kb
File Type: pdf
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Activity 3: Comparing and Analyzing Performance, part 2

enter-hamlet.pdf
File Size: 22 kb
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hamlet_comparison__public_speaking_.pdf
File Size: 52 kb
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​https://www.inklestudios.com/poemsbyheart/

Activity 4: Tips on Reciting from Poetry Out Loud 
​https://www.poetryoutloud.org/competing/tips-on-reciting/

PHYSICAL PRESENCE
Body language, and poise.
Tips:
  • Present yourself well and be attentive. Use good posture. Be confident and make a direct connection with the audience.
  • Nervous gestures and lack of confidence will detract from your score.
  • Relax and be natural. Enjoy your poem—the judges will notice.

​Qualities of a strong recitation:
Ease and comfort with the audience. Engagement with the audience through physical presence, including appropriate body language and confidence—without appearing artificial.
Video Examples:
  • Sophia Elena Soberon “Bilingual/Bilingue” by Rhina P. Espaillat
  • Shawntay A. Henry “Frederick Douglass” by Robert Hayden
  • William Farley “Danse Russe” by William Carlos Williams

VOICE AND ARTICULATION
Pace, rhythm, intonation, and proper pronunciation. 
Keep in Mind: Contestants will use a microphone at the National Finals.
Tips:
  • Project to the audience. Capture the attention of everyone, including the people in the back row. However, don’t mistake shouting for good projection.
  • Proceed at a fitting and natural pace. People may communicate too quickly when nervous, making the poem hard to understand. Do not communicate so slowly that the language sounds unnatural or awkward.
  • With rhymed poems, be careful not to recite in a sing-song manner.
  • Make sure you know how to pronounce every word in your poem. Articulate.
  • Line breaks are a defining feature of poetry. Decide whether a break requires a pause and, if so, how long to pause.
Qualities of a strong recitation:
All words pronounced correctly, and the projection, rhythm, and intonation greatly enhance the recitation. Pacing appropriate to the poem.
Video Examples:
  • Jackson Hille “Forgetfulness” by Billy Collins
  • Sophia Elena Soberon “Bilingual/Bilingue” by Rhina P. Espaillat
  • Shawntay A. Henry “Frederick Douglass” by Robert Hayden
  • Madison Niermeyer “I Am Waiting” by Lawrence Ferlinghetti
  • Kareem Sayegh “The Man-Moth” by Elizabeth Bishop

DRAMATIC APPROPRIATENESS
Recitation is about conveying a poem’s sense with its language. A strong performance will rely on a powerful internalization of the poem rather than excessive gestures.  Appropriate interpretation enhances the audience’s understanding and enjoyment of the poem without overshadowing the poem’s language.
Tips:
  • Do not act out each word of the poem. Movement must not detract from the poem’s voice.
  • You are the vessel of your poem. Have confidence that your poem is strong enough to communicate without a physical illustration. Let the words of the poem do the work.
  • Depending on the poem, occasional gestures may be appropriate, but the line between appropriate and overdone is a thin one. When uncertain, leave them out.
  • Avoid monotone delivery. However, too much enthusiasm can make your performance seem insincere.
Qualities of a strong recitation:
The interpretation subtly underscores the meaning of the poem without becoming the focal point. A low score in this category will result from recitations that have affected character voices and accents, inappropriate tone and inflection, singing, excessive gestures, or unnecessary emoting.
Video Examples:
  • Stanley Andrew Jackson “Writ on the Steps of Puerto Rican Harlem” by Gregory Corso
  • Madison Niermeyer “I Am Waiting” by Lawrence Ferlinghetti
  • Kareem Sayegh “The Man-Moth” by Elizabeth Bishop

EVIDENCE OF UNDERSTANDING
​This category is to evaluate your comprehension and mastery of the poem. The poet’s words should take precedence, and you should be able to voice them in a way that helps the audience to understand the poem better. To do this, you must effectively use intonation, emphasis, tone, and style of delivery.
Tips:
  • You must understand the poem fully. Be attentive to the messages, meanings, allusions, irony, tones of voice, and other nuances in your poem.
  • Be sure you know the meaning of every word and line in your poem. If you are unsure about something it will be apparent to the audience.
  • Think about how you should interpret the tone and voice of your poem. Is it a quiet poem? Is it a boisterous poem? Should it be recited more quickly or slowly, with a happy or mournful tone? Your interpretation will be different for each poem, and it is a crucial element of your performance.
Qualities of a strong recitation:
The meaning of the poem is powerfully and clearly conveyed to the audience. The interpretation deepens and enlivens the poem. Meaning, themes, allusions, irony, tone, and other nuances are captured by the performance. A low score will be awarded if the interpretation obscures the meaning of the poem.
Video Examples:
  • Jackson Hille “Forgetfulness” by Billy Collins
  • Allison Strong “Sonnet CXXX: My Mistress’ Eyes Are Nothing Like the Sun” by William Shakespeare
  • Carolyn Rose Garcia “Pied Beauty” by Gerard Manley Hopkins
  • William Farley “Danse Russe” by William Carlos Williams

OVERALL PERFORMANCE
This category is to evaluate the overall success of the poem, the degree to which the recitation has become more than the sum of its parts.
  • Did you captivate the audience with the language of the poem?
  • Did you bring the audience to a better understanding of the poem?
  • Did your physical presence, voice and articulation, and dramatic appropriateness all seem on target and unified to breathe life into the poem?
  • Did the performance honor the poem?
Make sure each poem you choose is one that speaks to you. If you are able to connect with a poem, that internalization will ripple positively throughout your recitations

ACCURACY
 If you rely on a prompter or note cards during your recitation, points will also be subtracted from your accuracy score. 
​

messy-room-silverstein.pdf
File Size: 119 kb
File Type: pdf
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beat__beat__drums_.pdf
File Size: 110 kb
File Type: pdf
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poem-recitation-rubric.pdf
File Size: 194 kb
File Type: pdf
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recitation-reflection-questions.pdf
File Size: 90 kb
File Type: pdf
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recitation_reflection_questions1.pdf
File Size: 90 kb
File Type: pdf
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poem_recitation_rubric_final.pdf
File Size: 296 kb
File Type: pdf
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unit_1_reflection_public_speaking.pdf
File Size: 21 kb
File Type: pdf
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  • Home
  • LIT/COMP 10
    • Unit 1: Pictures of Ourselves -- Creative Nonfiction
    • Unit 2: Critical Media Literacy
    • Unit 3: Immersion Journalism
    • Unit 4: Lives in the Margins: Of Mice and Men
    • Unit 5: The Hill We Climb/Dear Martin
    • Unit 6: A Whole Lotta Drama
  • Grammar and the English Language
    • Unit 1: The Basics - Words, Usage, and Grammar
    • Unit 2: Linguistics, Code Switching, and Register Shifting
    • Unit 3: Rhetoric, Politics, and the English Language
  • Creative Writing
    • Creative Writing Syllabus
    • Student Publications
    • Teacher Blog
    • Course Readings
    • ISOs (In the Style of)
    • Peer Feedback
    • Unit 1: Mini-Memoir
    • Unit 2: Letters to Myself
    • Unit 3: Restaurant Reviews
    • Unit 4: Creative Short Fiction
    • Unit 5: Conversations
    • Unit 6: Our Voices
    • Final Exam
  • Expository Writing
    • Common App and Writers' Craft
  • Advanced Creative Writing
  • English 3
    • Course Pack and Beginning of the Year
    • Genius Hour
    • Unit 1: Source Analysis
    • Unit 2: Short Stories About Us
    • Unit 3: 3 Tragedies
    • Unit 4: The Grapes of Wrath
    • Unit 5: Between the World and Me
    • Unit 6: Research Writing >
      • Stunt Journalism Research Project
    • Class Resources >
      • Grading in English 3
      • Citing Sources and Avoiding Plagiarism
  • AP English Literature
    • Virtual AP Lit Unit 1
    • AP Summer Reading Project
    • Common App Essay
    • The Bible Project
    • Women's Studies Project
    • Critical Literary Theory
    • AP Exam Resources
    • AP Grades
  • Junior Seminar
  • Race in America
    • Race in America Independent Study
    • Race in America: The Course
  • Contemporary Writings
    • Readings
    • Writings
  • Public Speaking
    • Unit 1: Memorization and Recitation
    • Unit 2: Political Speeches
    • Unit 3: Expert Speeches
    • Unit 4: Personal Storytelling
    • Public Speaking Syllabus
  • About the Author